
you’ve been taught to spend your attention as if it were disposable.
You scroll, scatter, dilute. You’ve forgotten that attention is not expendable — it’s sacred.
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This is 80milliseconds.
We’re not sure what you’ve heard.
We’re not sure what we’ve said.
We make stories.
We interrupt patterns.
We build experiences that behave like dreams and disappear like memories.
We work with people who want to feel more.
Not louder. Not slicker. Not safer.
Just…more human.
We don’t offer “solutions.”
We offer tension, curiosity, discomfort, emotion, intuition, beauty, distortion.You can explore, if you’d like.
There are doorways below. They look like links, but they’re actually invitations. -
You want to know who we are.
What a pleasant feeling…to be desired.
We are called 80milliseconds.
That’s the time it takes for your brain to decode reality.
That’s the place we live in—before the label, before the language, before the polite smile.
There are people here.
Real ones.With minds and mouths and strange gifts.
They’ve come from film, music, brand, performance, art, heartbreak, and conversations.
We build with emotion first.
Then form.
Then polish.
Only if it still feels honest.
We’re not trying to be better than anyone.
We’re just trying to be closer to a real human approach.We started this because we couldn’t stand what the industry was becoming.
Too clean. Too safe. Too perfectly manicured.Because we wanted to remember what it felt like to make things we could feel, not just convert.
So we built something else.
Something alive.
Something that listens back when you speak. -
We love when something goes wrong and shows us something better.
We believe in accidents that feel like messages.
We believe in mistakes that feel like truth.We don’t really follow a method.
There is no process.
But here’s what we’ve noticed so far:
We get lost on purpose.
Not to waste time.
To shake loose the obvious.
To find the tiny, shivering truth that only shows itself in unfamiliar places.Perfection is a lie with good lighting.
We let the system hiccup. We let the human peek through.
Sometimes the best part of a project is the thing that wasn’t supposed to happen.
We don’t cut it out.
We build around it.
Then we walk away.
We don’t cling.
We don’t over-polish.
We let the work leave us while it’s still warm.Sometimes we miss it.
But that’s how you know it mattered. -
you came here looking for proof.
but if you’ve read this far—
you already felt it.you wouldn’t be here otherwise.
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Inconsistent.
Consistency makes everything taste the same.
And we want to make things that feel alive.
Every project moves differently.Every outcome finds a new direction.
It’s not chaos though.
It’s honest variation. intentional unpredictability. creative difference.We show up the same way every time:
Curious.Emotionally attuned.
Ready to unmake and remake the work until it breathes.
What we make?
That shifts. That morphs. That glitches by design.Still, we understand you might want a list.
So here’s a version of one: -
We invite you to share your frequency with us, friend.
So we can jump onto the signal before the brand brief finishes buffering.
Not design. Not direction.
Distortion.
Emotion.
Interruption.
We tune your frequency until it stops sounding like everything else.
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We film things.
But we don’t aim for control.We aim for exposure.
Not technical.
But emotional.
The output is never what you expected—on purpose. -
Your brand is a costume.
We take it off.
We peel back the mask, the voice, the polished posturing.
Underneath, something raw.
Feral.
Gorgeous in its asymmetry.
You’ll recognize it. It was always there, under the pitch deck.
We hand you that thing. You try to look away.
You can’t.
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Not “immersive experiences.”
Encounters.
Physical glitches in the familiar.
Team-building that turns into ego erosion.
Coaching sessions that unravel your sense of self.
You walk in curious.You leave altered.
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You want a plan.
We offer disorientation.You want a map.
We offer you fog.
Because that’s where the clarity hides.In the space between what you thought you needed and what your gut is saying.
Because only then do your instincts wake up.
This is not consulting.
It’s a recalibration of instinct. -
We never make it the same way twice.
We would never want to.And some things come out strange.
Not quite an ad. Not quite a film. Not quite… right.
We like that.We make strange things that don’t know what they are yet.
It means the medium is morphing.
It means your audience has to lean in.We would like to think this is what you want.